A useful resource
Monday, November 17th, 2008
The Miracle Maker is an animated film produced for the Jubilee Year 2000 which tells the story of Jesus. It generally uses the gospel of Luke as the source for its narrative – but it hangs loosely to the source, and treats it somewhat creatively. This is most noticeable in its development of the character of Tamar, the daughter of Jairus. It’s easily available from most DVD stores, or of course from Amazon. or Play.
It was well-received by faith communities: A pretty typical review follows:
In The Miracle Maker, the film’s makers have a small miracle of their own: a simple, modest retelling of the gospel story of the ministry and passion of Christ that does little more than present the bare events of the gospel narratives, without adornment or invention, without idiosyncratic “explanations” or editorial spin, without elaborations for the sake of amusement or excitement.
It’s so straightforward, it’s practically revolutionary. Adapting a story for the screen substantially as it was written is a lost art nowadays. It’s easy to see why, in a way; storytellers are just naturally attracted to projects to which they feel they have some creative contribution to make; some special angle or insight to offer.
http://artsandfaith.com/t100/2005/entry.php?film=52
You might wonder about the claim that there is little adornment or invention – remember Tamar – but she operates more as a narrative device to help the viewer engage with the story of Jesus than a distraction or dumbing down.
The Miracle Worker is a rather beautiful creation – most of the narrative shown through stop-go animation; but others through painted cell work. And it is an engaging presentation – with much of the credit for this going to the somewhat stellar cast, led by Ralph Fiennes as Jesus.
We’ve been using it in our parish over the past weeks – a ten minute section as a time, as a way of familiarising the group with the outline of the story of Jesus, and as a ‘safe’ way of giving them matter for discussion reflection. Last year we had a very quiet group who rather resisted discussion. It’s a different group this year but there’s much discussion and I think the film is to credit for that.<
I’d recommend the film as a most useful aid for first evangelisation, for the pre-catechumenal time. And I am happy to share below the discussion sheets we used to to give you an indication of the sort of conversation starters we’ve used.

Many countries are lavish in their remembrance of their saints’ days, with the whole village enjoying a day of festivity and reverence to a particular saint. The people of Malta take the celebration of the feast of St Paul’s Shipwreck, very seriously. Preparation is year long for this annual feast to their patron saint. It falls on the nearest Sunday to February 10th and there is much anxiety about the weather, for the 17th century wooden statue cannot be carried outside in high winds or heavy rain. I took this photo after the men had spent a couple of hours transferring the statue to its portable beams, had proudly begun the procession, only to be driven back into the safety of the church when the rain fell. It wasn’t only the bearers that shed tears, but many in the crowd acted as if they had suffered a great loss.


Turner not only explores the ritual text, but puts the practice of receiving others into full communion with the catholic church into our 21st century context, reminding us that the rite is what it says, about being “received”: it is not about being ‘forgiven or reconciled’. We have moved on from the early church needing a route, by which those guilty of heresy or apostacy, could renounce their beliefs and return to the fold. The process and rites that applied to such a situation are hardly applicable to those christians who knock on our parish doors today.
